album, reissues

Abu Obaida Hassan & His Tambour: The Shaigiya Sound of Sudan

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“Abu Obaida comes from the Shaigiya people, whose culture is spread around the ancient city of Merowe, home of traditional Nubian culture, where pyramids older than those in Egypt still stand. They trace their entire lineage to one man, Shaig, who migrated from the Arabian peninsula in the 15th century. An endlessly rhythmic syncretism between Arab and Nubian styles, Abu Obaida’s Shaigiya music was an in demand party affair in an era when a vibrant nightlife and roving sound systems were staples of life in Sudan. 
It was music for a modern era, and Abu Obaida, at just 19, rebelliously abandoned traditional Shaigiya music traditions, pioneering a new sound by adding an extra string to his tambour and electrifying an instrument adored across East Africa. The result was complexity in simplicity and a hyper-talented artist who mirrors the story of Sudan’s highs and lows, from the leading tambour maestro of the hour to such obscurity on the fringes that he was believed dead. “They killed me!”, he likes to joke.”

© Ostinato Records

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Orchestre Abass ~ De Bassari Togo

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“In 1972, Orchestre Abass released two incredible singles on Polydor. These records – featuring Samarin Banza, Haka Dunia and other afrofunk masterpieces – were powerful enough to knock any music head out, but it wasn’t until the discovery of some unreleased material by the band that the seeds for this project were planted. 

It all happened in 2008 in Ghana. I was going through some tapes that had previously been the property of PolyGram one of the major record companies based in west Africa. In the late 80s political instability and curfews had paralysed the music industry forcing Polygram to close their Ghanaian subsidiaries leaving all of their recordings behind. These recordings had been packed in boxes and left vegetating in an Accra warehouse for three decades until I came along. To my surprise all of the tapes looked unharmed and I was particularly relieved to hear that the Orchestre Abass tape was in an excellent state of condition. I began fiddling around with the idea of releasing an album of the band and that plan got an additional boost with le “coup de grace” which had landed in the form of an ultra rare tune called Honam discovered in Sotoboua, a small northern Togolese town in the middle of nowhere. That find completed this selection. 

I had previously discovered some similar music in Northern Benin and in Nigeria and I started picturing an area that spread all the way from Northern Ghana to Northern Cameroon, an area I dubbed ‘The Islamic funk belt’ due to the fact that Super Borgou de Parakou, Napo De Mi Amor, Uppers International and Hamad Kalkaba just to name a few – all from that ‘belt’ – were groups made up of musicians with an Islamic background. This can be felt and heard in the music and particularly in the singing since many of the musicians had attended koranic schools and the languages used in the songs often had Arabic elements fused in – Orchestra Abass was one of them.

With their heavy, organ-led sound combining with the deftest of musical touches, these records were the work of a rhythmic powerhouse and we are honoured to be in a position to present the recordings of Togo´s funkiest Band.

Unfortunately Malam Issa Abass, the founder, guitarist and organ player of the band, was killed in 1993 by a grenade thrown into his bedroom and to help me reconstruct the biography of the band I tracked down Thon Komla, one of the band’s songwriters and Abderaman Issa, the guitar player of the band.”

@ Analog Africa

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Excavation Series 15 ~ Guinean Orchestras 1967​-​1968

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Orchestras of Guinea 1967-1968

SIDE A
1. Sanankoro Jazz - Dia
2. Kebaly Jazz - Koulandjan
3. Dirou Band - Lanban
4. Djoliba Jazz - Soubamasasandji
5. Sataboum Rhythm - Tara
6. Tomine Jazz - Toure I dio!
7. Tele Jazz - Gine Men Welli
8. Badiar Jazz - Koundara (Sympathie)

SIDE B
1. Orchestre Militaire du Camp Elhadj Oumar - Wasouloun
2. Tomine Jazz - La Miniya
3. Sambory Jazz - Wara Le
4. Bafing Jazz - An Nye Bara
5. Fatala Jazz - Barala
6. Kimbo Jazz - Khilikane
7. Kebaly Jazz - Ke Kameran
8. Orchestre de Kindia - La Guinee-wodi

© Power Moves Library
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Duke ~ Uingizaji Hewa

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“Whilst so far alot of the focus on the underground Singeli scene has centered on Sisso Studios, the nearby Pamoja Records has been another power house of hard Singeli sound. At the helm is DJ and Producer DJ DUKE and MC’s like MCZO, Dogo Lizzi, Pirato MC and Kashiwashi. Duke’s productions are perhaps the most punkish of all with a complete DIY agressive style, stretching the BPM’s into the stratosphere and a completely unique sampling style borrowing from everything from popular Tanzanian advertising jingles to ambient sounds from around his studio.”

© Nyege Nyege Tapes

+ Singeli: East Africa’s New Wave

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